Saturday, April 26, 2008 by Ingo
Warum ich das alles mache
Das ist alles nur von heute:
Servus Ingo,
Samstag, der 26. April ‘08 morgens und 8 Uhr irgendwas. Bin seit ner Weile nach 16 Stunden Arbeit zu Haus und habe das unendliche Glück die Wiederholung der (des) Lightworks zu hören. Grad läuft Deine Version von “Its gonna be a fine day” meinen Gehörgang herunter.
Das Orginal habe ich geliebt, zumindest bis ich Deine Version davon gehört habe. Nur göttlich. Nach gefühlten 60 Minuten Gänsehaut wird Dein Set stetig besser. Ich müsste schon längst schlafen, aber dann würde ich diese akustische Philharmonie verpassen. Hält mich gefangen wie ein Magnet.
Was wollt ich eigentlich sagen ……. lol ….
An sich nur bedanken für Deine göttlichen Sets, Die mich schon seit langem in himmlische Sphären gleiten lassen. Hört sich komisch an, ist aber so. Von Show zu Show steigerst Du Dich nur. Die Sets sind unbezahlbar ….
Langer Rede, kurzer Sinn …… Danke für Deine Musik, sie lässt mich den Alltag durchstehen und meine wenige freie Zeit geniessen.
Oft werd ich gefragt “wer ist denn dass???” … da kann ich zumindest auf deine Page verweisen, hoffe das ist in Deinem Sinne.
Mit freundlichem Gruss und akustischem Orgasmus Gruss aus dem langweiligem Niedersachsen ….
H.
I’ll be honest here; haven’t been massively impressed with part 1 of this show so far. Until 170 mins that is; this track is niiiiice!
Think the thing is that progressive music, to me at least, seems to have been changing a lot for a few months now. The sort of tunes that came before that track mentioned above in this set don’t really appeal to me - they’re a bit ‘beepy’ and ‘minimal’ I guess. Not sure, I’m struggling to actually explain it, but anyone with this set downloaded (from friskySubscription of course) can see what I mean. The one at 170 mins is far more my sort of sound!
That’s no criticism to you Ingo, of all the sets played on frisky, it’s Lightworks that I love the most by far. I have my own little habit of adding an entry to the ID3 tag of the MP3 file for any tracks I find I like (see, so I can find them again at a later date, and your sets always have loads of those (see my screenshot below). I imagine you’ve got to include music you like, but also music you know other people will like, and it all comes down to personal preference and what sound moves each person. I have a rough idea what my sound is, it doesn’t mean the other stuff is wrong or bad.
I’m a pretty crap progressive fan really; I rarely have any idea of waht’s going on in the genre, I just know I like the music. Would be good actually if someone could explain why, how and in what way progressive has been changing over the past 6 months, or year, or even few years. I first started listening to this stuff back in…end of 2004, and the stuff then sounds very different to the stuff now. All genres evolve and change of course, I just wonder what the influences are.
I suppose in a way I’m just trying to keep hold of the ’style’ of progressive that I first heard way back then, but it seems to be slipping away…
I still hear plenty of good prog though, in shows like Lightworks (of course), 6th Auditorium, Deepest Level, Mindfields, Sol Solar, so I know it’s out there! All credit to the guys who bring that music to us - the producers and the DJs - because I’d never get to hear so many amazing tracks if it weren’t for them.
T.V.
